123 bars of 4/4 at 134 BPM, about 3:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 34-36, and 11 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 12 times: bars 17, 25, 41, 49, 59, 61 and 6 more.
4 more fills are written out on the fills page.
123 bars across 17 sections: 44 keep time, 12 are fills, 29 are stops and 22 are silent. The longest unbroken stretch of time is bars 19-24.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
123 bars, about 3:39 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 17, 25, 41, 49, 59, 61 and 6 more.