100 bars of 6/4 -- not four -- at 120 BPM, 5:00 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 21-27 and 47-53 -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 4, 16, 36, 37 and 38.
1 more fill is written out on the fills page.
100 bars across 10 sections: 46 keep time, 5 are fills and 36 are silent. The longest unbroken stretch of time is bars 56-66.
120 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 56 out of 100; the rest of the number is everything around it.
100 bars, about 5:00 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 4, 16, 36, 37 and 38.