129 bars of 4/4 at 140 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-26, 30-31 and 42, and 12 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 14 times: bars 8, 24, 28, 32, 40, 48 and 8 more.
8 more fills are written out on the fills page.
129 bars across 11 sections: 95 keep time, 14 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 62-84.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
129 bars, about 3:41 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 8, 24, 28, 32, 40, 48 and 8 more.