122 bars of 4/4 at a walking 83 BPM, 5:48 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, hi-hat through bars 10-75, snare through bars 76-84, hi-hat through bars 85-94, kick and crashes through bars 95-98 and snare through bars 99-112, and 1 more change after that.
The beat the song is built on is one bar, played through bars 11-13, 15-16 and 18-24, and 4 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|7 fills to learn, played 16 times: bars 29, 33, 43, 57, 58, 62 and 10 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
122 bars, about 5:48 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 29, 33, 43, 57, 58, 62 and 10 more.