122 bars of 4/4 at a walking 83 BPM, 5:48 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 15-16 and 18-24, and 4 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 29, 33, 43, 57, 58, 62 and 10 more.
4 more fills are written out on the fills page.
122 bars across 15 sections: 80 keep time, 17 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 10-28.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
122 bars, about 5:48 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 29, 33, 43, 57, 58, 62 and 10 more.