185 bars of 4/4 at 130 BPM, about 5:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 93-100, 102-109 and 141-148, and 1 more place -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 67, 70, 73, 84, 86, 88 and 15 more.
5 more fills are written out on the fills page.
185 bars across 20 sections: 105 keep time, 24 are fills, 10 are stops and 37 are silent. The longest unbroken stretch of time is bars 32-60.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
185 bars, about 5:54 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 67, 70, 73, 84, 86, 88 and 15 more.