230 bars of 4/4 at 120 BPM, about 7:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-22, 24-25 and 27-29, and 6 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 59 times: bars 26, 56, 66, 73, 74, 78 and 53 more.
9 more fills are written out on the fills page.
230 bars across 21 sections: 130 keep time, 59 are fills and 11 are stops. The longest unbroken stretch of time is bars 192-202.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
230 bars, about 7:35 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 59 times: bars 26, 56, 66, 73, 74, 78 and 53 more.