162 bars of 4/4 at 127 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-26, 28-29 and 31, and 4 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 47 times: bars 2, 9, 10, 11, 12, 13 and 41 more.
17 more fills are written out on the fills page.
162 bars across 14 sections: 88 keep time, 47 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 17-29.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
162 bars, about 5:07 at the written tempo. The course breaks it into 69 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 47 times: bars 2, 9, 10, 11, 12, 13 and 41 more.