173 bars of 4/4 at 136 BPM, about 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-15 and 18-20, and 11 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 8, 16, 24, 32, 56, 64 and 19 more.
7 more fills are written out on the fills page.
173 bars across 11 sections: 96 keep time, 27 are fills, 33 are stops and 4 are silent. The longest unbroken stretch of time is bars 96-106.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
173 bars, about 5:06 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 8, 16, 24, 32, 56, 64 and 19 more.