140 bars of 4/4 at 131 BPM, about 4:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-52, 68-72 and 118-122 -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 30 times: bars 13, 14, 15, 16, 20, 32 and 24 more.
15 more fills are written out on the fills page.
140 bars across 16 sections: 65 keep time, 31 are fills, 10 are stops and 21 are silent. The longest unbroken stretch of time is bars 47-54.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
140 bars, about 4:35 at the written tempo. The course breaks it into 59 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 30 times: bars 13, 14, 15, 16, 20, 32 and 24 more.