200 bars of 4/4 at 140 BPM, about 5:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 28 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 91, 105, 113, 127, 135, 143 and 1 more.
200 bars across 19 sections: 129 keep time, 7 are fills, 37 are stops and 2 are silent. The longest unbroken stretch of time is bars 11-25.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
200 bars, about 5:43 at the written tempo. The course breaks it into 63 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 91, 105, 113, 127, 135, 143 and 1 more.