450 bars of 4/4 at 110 BPM, about 16:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 428-434 and 436-451 -- 7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 86 times: bars 6, 7, 8, 9, 11, 15 and 80 more.
27 more fills are written out on the fills page.
459 bars across 34 sections: 199 keep time, 86 are fills, 15 are stops and 129 are silent. The longest unbroken stretch of time is bars 283-306.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
450 bars, about 16:08 at the written tempo. The course breaks it into 129 exercises over 45 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 86 times: bars 6, 7, 8, 9, 11, 15 and 80 more.