130 bars of 4/4 at 125 BPM, about 4:10 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-20 and 26-35 -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 28 times: bars 42, 44, 52, 55, 60, 64 and 22 more.
6 more fills are written out on the fills page.
130 bars across 13 sections: 86 keep time, 28 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-20.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
130 bars, about 4:10 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 28 times: bars 42, 44, 52, 55, 60, 64 and 22 more.