145 bars of 4/4 at 135 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 28, and 9 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 24, 26, 38, 72, 92, 94 and 7 more.
3 more fills are written out on the fills page.
145 bars across 12 sections: 105 keep time, 13 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 74-85.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
145 bars, about 4:18 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 24, 26, 38, 72, 92, 94 and 7 more.