112 bars of 4/4 at 114 BPM, about 5:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-7, 11 and 20-21 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 22 times: bars 1, 2, 3, 4, 7, 8 and 16 more.
2 more fills are written out on the fills page.
112 bars across 5 sections: 10 keep time, 22 are fills, 1 is a stop and 77 are silent. The longest unbroken stretch of time is bars 26-30.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
112 bars, about 5:13 at the written tempo. The course breaks it into 11 exercises over 5 sittings, about 21 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 22 times: bars 1, 2, 3, 4, 7, 8 and 16 more.