133 bars, 7:23, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-81, ride through bars 82-84, hi-hat through bars 85-87, ride through bars 88-90, hi-hat through bars 91-109 and ride through bars 110-129, and 1 more change after that.
The beat the song is built on is one bar, played through bars 34-40, 42-56 and 66-68, and 8 more places -- 38% of every bar the kit plays. Learn that one and most of the song is already under your hands.
34
1.....2.....3.....4.....
HH |x--x--x--x--x--x--x--x--|
SD |------x-----------x-----|
BD |x--------x--x-----------|7 fills to learn, played 10 times: bars 41, 57, 69, 73, 81, 93 and 4 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
133 bars, about 7:23 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 41, 57, 69, 73, 81, 93 and 4 more.