133 bars, 7:23, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 34-40, 42-56 and 66-68, and 8 more places -- 38% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7 fills to learn, played 10 times: bars 41, 57, 69, 73, 81, 93 and 4 more.
3 more fills are written out on the fills page.
133 bars across 8 sections: 112 keep time, 10 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 2-33.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
133 bars, about 7:23 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 41, 57, 69, 73, 81, 93 and 4 more.