126 bars of 4/4 at 136 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-27 and 118-121 -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 3, 30, 31, 58, 59, 60 and 6 more.
2 more fills are written out on the fills page.
126 bars across 14 sections: 41 keep time, 13 are fills, 57 are stops and 4 are silent. The longest unbroken stretch of time is bars 44-57.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
126 bars, about 3:41 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 3, 30, 31, 58, 59, 60 and 6 more.