120 bars of 4/4 at a walking 101 BPM, 4:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24-30 and 46-49 -- 9.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 28 times: bars 6, 7, 8, 9, 11, 13 and 22 more.
12 more fills are written out on the fills page.
120 bars across 12 sections: 41 keep time, 29 are fills, 37 are stops and 2 are silent. The longest unbroken stretch of time is bars 24-30.
101 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
120 bars, about 4:45 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 28 times: bars 6, 7, 8, 9, 11, 13 and 22 more.