121 bars of 4/4 at 120 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52, 56 and 82-88, and 5 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 4 times: bars 80, 96, 112 and 120.
121 bars across 13 sections: 78 keep time, 4 are fills, 1 is a stop and 29 are silent. The longest unbroken stretch of time is bars 41-56.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
121 bars, about 4:02 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 80, 96, 112 and 120.