232 bars of 4/4 at 120 BPM, about 8:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-32, 48-50 and 52-53, and 4 more places -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 48 times: bars 1, 4, 5, 8, 9, 13 and 42 more.
24 more fills are written out on the fills page.
232 bars across 25 sections: 134 keep time, 48 are fills, 10 are stops and 14 are silent. The longest unbroken stretch of time is bars 119-134.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
232 bars, about 8:13 at the written tempo. The course breaks it into 99 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 48 times: bars 1, 4, 5, 8, 9, 13 and 42 more.