138 bars of 4/4 at 130 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 37 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 1, 103, 107, 117, 118, 119 and 5 more.
2 more fills are written out on the fills page.
142 bars across 9 sections: 105 keep time, 11 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 48-74.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
138 bars, about 4:10 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 1, 103, 107, 117, 118, 119 and 5 more.