85 bars of 6/4 -- not four -- at 124 BPM, 4:00 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-21, ride through bars 22-26, hi-hat through bars 27-34, toms through bars 35-40, ride through bars 41-42 and hi-hat through bars 43-48, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 14, 16-17 and 27, and 2 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14
1e+a2e+a3e+a4e+a5e+a6e+a
CC |x-----------------------|
HH |--o-o-o-o-o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-x-x-x-x-|7 fills to learn, played 31 times: bars 4, 6, 11, 12, 13, 15 and 25 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
85 bars, about 4:00 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 31 times: bars 4, 6, 11, 12, 13, 15 and 25 more.