85 bars of 6/4 -- not four -- at 124 BPM, 4:00 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16-17 and 27, and 2 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 31 times: bars 4, 6, 11, 12, 13, 15 and 25 more.
3 more fills are written out on the fills page.
85 bars across 5 sections: 22 keep time, 31 are fills, 1 is a stop and 28 are silent. The longest unbroken stretch of time is bars 27-33.
124 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
85 bars, about 4:00 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 31 times: bars 4, 6, 11, 12, 13, 15 and 25 more.