145 bars of 4/4 at 126 BPM, about 4:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-31, 33-39 and 81-87, and 1 more place -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 4, 6, 8, 24, 32, 40 and 13 more.
9 more fills are written out on the fills page.
145 bars across 14 sections: 99 keep time, 19 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 138-145.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 57 out of 100; the rest of the number is everything around it.
145 bars, about 4:35 at the written tempo. The course breaks it into 53 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 4, 6, 8, 24, 32, 40 and 13 more.