116 bars of 4/4 at 123 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-22 and 59-72 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 38 times: bars 4, 6, 12, 24, 28, 34 and 32 more.
14 more fills are written out on the fills page.
116 bars across 10 sections: 58 keep time, 38 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 60-72.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
116 bars, about 3:43 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 38 times: bars 4, 6, 12, 24, 28, 34 and 32 more.