61 bars of 4/4 at 138 BPM, about 1:45 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 30-32, 34-35 and 38-40, and 1 more place -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 26 times: bars 1, 4, 5, 8, 9, 12 and 20 more.
5 more fills are written out on the fills page.
61 bars across 4 sections: 31 keep time, 26 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 50-54.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
61 bars, about 1:45 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 1, 4, 5, 8, 9, 12 and 20 more.