431 bars of 4/4 at a walking 96 BPM, 15:59 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 109-114, 117-122 and 126, and 17 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 67 times: bars 16, 17, 22, 23, 25, 27 and 61 more.
21 more fills are written out on the fills page.
431 bars across 27 sections: 246 keep time, 67 are fills, 69 are stops and 19 are silent. The longest unbroken stretch of time is bars 39-90.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
431 bars, about 15:59 at the written tempo. The course breaks it into 97 exercises over 23 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 67 times: bars 16, 17, 22, 23, 25, 27 and 61 more.