313 bars of 3/4 -- not four -- at 115 BPM, 9:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 154-156, 158-160 and 162, and 15 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 18 times: bars 60, 76, 82, 94, 112, 118 and 12 more.
11 more fills are written out on the fills page.
313 bars across 14 sections: 224 keep time, 21 are fills, 36 are stops and 23 are silent. The longest unbroken stretch of time is bars 287-312.
115 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
313 bars, about 9:21 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 18 times: bars 60, 76, 82, 94, 112, 118 and 12 more.