145 bars of 4/4 at 125 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11, 13 and 39, and 13 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 47 times: bars 10, 12, 14, 18, 34, 36 and 41 more.
14 more fills are written out on the fills page.
145 bars across 12 sections: 86 keep time and 47 are fills. The longest unbroken stretch of time is bars 21-33.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
145 bars, about 4:38 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 47 times: bars 10, 12, 14, 18, 34, 36 and 41 more.