60 bars of 4/4 at a walking 78 BPM, 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-34 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 5, 41, 43, 47, 51, 55 and 2 more.
3 more fills are written out on the fills page.
60 bars across 8 sections: 25 keep time, 8 are fills, 3 are stops and 22 are silent. The longest unbroken stretch of time is bars 27-34.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 9 out of 100; the rest of the number is everything around it.
60 bars, about 3:05 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 5, 41, 43, 47, 51, 55 and 2 more.