187 bars of 4/4 at a walking 80 BPM, 10:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 106-129 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 4, 17, 19, 21, 29, 56 and 13 more.
5 more fills are written out on the fills page.
195 bars across 24 sections: 117 keep time, 19 are fills, 7 are stops and 39 are silent. The longest unbroken stretch of time is bars 107-129.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
187 bars, about 10:00 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 4, 17, 19, 21, 29, 56 and 13 more.