356 bars of 4/4 at 110 BPM, about 12:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 91-97, 99-105 and 159-165, and 6 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 48 times: bars 41, 42, 43, 44, 45, 46 and 42 more.
10 more fills are written out on the fills page.
356 bars across 29 sections: 219 keep time, 50 are fills, 22 are stops and 24 are silent. The longest unbroken stretch of time is bars 25-40.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
356 bars, about 12:44 at the written tempo. The course breaks it into 83 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 48 times: bars 41, 42, 43, 44, 45, 46 and 42 more.