356 bars of 4/4 at 110 BPM, about 12:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-24, ride through bars 25-40, toms through bars 41-60, ride through bars 61-62, toms through bars 63-68 and ride through bars 69-70, and 36 more changes after that.
The beat the song is built on is one bar, played through bars 91-97, 99-105 and 159-165, and 6 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
91
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x-x---x-----x-x-|14 fills to learn, played 48 times: bars 41, 42, 43, 44, 45, 46 and 42 more.
It cuts the song into 83 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
356 bars, about 12:44 at the written tempo. The course breaks it into 83 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 48 times: bars 41, 42, 43, 44, 45, 46 and 42 more.