121 bars of 4/4 at 128 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-8, 12-16 and 20-24, and 4 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 28 times: bars 1, 2, 27, 28, 36, 37 and 22 more.
3 more fills are written out on the fills page.
121 bars across 8 sections: 85 keep time and 28 are fills. The longest unbroken stretch of time is bars 3-26.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
121 bars, about 3:47 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 1, 2, 27, 28, 36, 37 and 22 more.