124 bars of 4/4 at 148 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-20, 39-45 and 47-53, and 1 more place -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 8, 38, 46, 54, 72, 111 and 2 more.
1 more fill is written out on the fills page.
124 bars across 10 sections: 75 keep time, 8 are fills, 15 are stops and 14 are silent. The longest unbroken stretch of time is bars 9-20.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
124 bars, about 3:14 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 8, 38, 46, 54, 72, 111 and 2 more.