108 bars of 4/4 at 111 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 39-46 -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 50 times: bars 4, 5, 6, 7, 8, 9 and 44 more.
6 more fills are written out on the fills page.
108 bars across 10 sections: 39 keep time, 50 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 40-46.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
108 bars, about 3:58 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 50 times: bars 4, 5, 6, 7, 8, 9 and 44 more.