136 bars of 4/4 at 140 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7 and 18-23 -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 12, 16, 28, 36, 40, 42 and 21 more.
10 more fills are written out on the fills page.
136 bars across 18 sections: 68 keep time, 27 are fills, 10 are stops and 9 are silent. The longest unbroken stretch of time is bars 1-7.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
136 bars, about 3:53 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 12, 16, 28, 36, 40, 42 and 21 more.