88 bars of 4/4 at a walking 80 BPM, 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 43-52 and 71-80 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 13 times: bars 10, 14, 18, 22, 28, 30 and 7 more.
88 bars across 16 sections: 52 keep time, 13 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 44-52.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
88 bars, about 4:24 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 13 times: bars 10, 14, 18, 22, 28, 30 and 7 more.