282 bars of 3/4 -- not four -- at 145 BPM, 6:02 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-10, 13 and 15, and 41 more places -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 fills to learn, played 30 times: bars 12, 20, 28, 76, 78, 80 and 24 more.
15 more fills are written out on the fills page.
282 bars across 14 sections: 84 keep time, 30 are fills, 150 are stops and 7 are silent. The longest unbroken stretch of time is bars 42-56.
145 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
282 bars, about 6:02 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 30 times: bars 12, 20, 28, 76, 78, 80 and 24 more.