395 bars of 4/4 at 120 BPM, about 13:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 27 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
40 fills to learn, played 102 times: bars 6, 8, 18, 20, 21, 22 and 96 more.
36 more fills are written out on the fills page.
395 bars across 35 sections: 196 keep time, 102 are fills, 21 are stops and 47 are silent. The longest unbroken stretch of time is bars 272-287.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
395 bars, about 13:37 at the written tempo. The course breaks it into 120 exercises over 36 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
40 fills to learn, played 102 times: bars 6, 8, 18, 20, 21, 22 and 96 more.