242 bars of 4/4 at 125 BPM, about 7:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-21, 23-35 and 44, and 21 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23 fills to learn, played 50 times: bars 50, 51, 54, 55, 66, 67 and 44 more.
19 more fills are written out on the fills page.
242 bars across 21 sections: 143 keep time, 50 are fills, 15 are stops and 17 are silent. The longest unbroken stretch of time is bars 201-224.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
242 bars, about 7:56 at the written tempo. The course breaks it into 71 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 50 times: bars 50, 51, 54, 55, 66, 67 and 44 more.