258 bars of 6/4 -- not four -- at 132 BPM, 11:14 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 3-26, ride through bars 27-42, hi-hat through bars 43-56, kick and crashes through bars 57-60, ride through bars 61-75 and hi-hat through bars 76-77, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 3-9, 11-12 and 14-21, and 5 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4
1e+a2e+a3e+a4e+a5e+a6e+a
HH |o-o-o-o-o-o-o-o-o-o-o-o-|
SD |------x-----------x-----|
BD |xxxxxxxxxxxxxxxxxxxxxxxx|18 fills to learn, played 26 times: bars 2, 10, 22, 26, 34, 42 and 20 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
258 bars, about 11:14 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 26 times: bars 2, 10, 22, 26, 34, 42 and 20 more.