258 bars of 6/4 -- not four -- at 132 BPM, 11:14 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-9, 11-12 and 14-21, and 5 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 26 times: bars 2, 10, 22, 26, 34, 42 and 20 more.
14 more fills are written out on the fills page.
258 bars across 15 sections: 132 keep time, 26 are fills, 6 are stops and 78 are silent. The longest unbroken stretch of time is bars 87-100.
132 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
258 bars, about 11:14 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 26 times: bars 2, 10, 22, 26, 34, 42 and 20 more.