108 bars of 4/4 at 120 BPM, about 3:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-16, 31-38 and 97-104 -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 14 times: bars 57, 58, 59, 60, 87, 88 and 8 more.
108 bars across 15 sections: 68 keep time, 14 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 8-16.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 43 out of 100; the rest of the number is everything around it.
108 bars, about 3:36 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 14 times: bars 57, 58, 59, 60, 87, 88 and 8 more.