138 bars of 4/4 at 131 BPM, about 4:11 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 26-32, and 3 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 20 times: bars 8, 25, 33, 41, 49, 57 and 14 more.
12 more fills are written out on the fills page.
138 bars across 12 sections: 82 keep time, 20 are fills and 20 are stops. The longest unbroken stretch of time is bars 1-7.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
138 bars, about 4:11 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 20 times: bars 8, 25, 33, 41, 49, 57 and 14 more.