59 bars of 4/4 at 135 BPM, about 1:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-5 and 7 -- 5.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 3, 8, 9, 10, 17, 18 and 9 more.
5 more fills are written out on the fills page.
59 bars across 8 sections: 31 keep time, 15 are fills and 3 are stops. The longest unbroken stretch of time is bars 11-16.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 95 out of 100; the rest of the number is everything around it.
59 bars, about 1:35 at the written tempo. The course breaks it into 30 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 3, 8, 9, 10, 17, 18 and 9 more.