210 bars of 4/4 at 135 BPM, about 6:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 89-92, 162-167 and 170-175, and 1 more place -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 12 times: bars 16, 32, 42, 46, 56, 72 and 6 more.
6 more fills are written out on the fills page.
210 bars across 18 sections: 158 keep time, 12 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 194-208.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
210 bars, about 6:13 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 12 times: bars 16, 32, 42, 46, 56, 72 and 6 more.