103 bars of 4/4 at 114 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 27-29, and 9 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 2 times: bars 72 and 86.
103 bars across 9 sections: 85 keep time, 2 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 27-45.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
103 bars, about 3:37 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 72 and 86.