146 bars of 4/4 at 140 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 31-33 and 35-36, and 5 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 27 times: bars 3, 4, 5, 8, 10, 13 and 21 more.
17 more fills are written out on the fills page.
146 bars across 17 sections: 82 keep time, 28 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 109-120.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 54 out of 100; the rest of the number is everything around it.
146 bars, about 4:13 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 27 times: bars 3, 4, 5, 8, 10, 13 and 21 more.